Showing posts with label four in art. Show all posts
Showing posts with label four in art. Show all posts

Wednesday, November 15, 2017

Four-In-Art: That's a Wrap

 It was an amazing run.  5 years of creating Mini Art Quilts.  Each quarter or so a different theme.  Elizabeth at Occasional Piece Quilt got us started those years ago.  I was just happy to play along.  We had some change overs of various members, but all have had fabulous contributions along the way.

This post is to recap those years and quilts.  I do not love them all. (what do I do with them!!??)  Some I had actually forgotten about until I was gathering pictures for this post.  

The first year: Nature: 2012-2013




Year 2:Urban:  2013-2014 This year we did Five, to make our year match the calendar








Year 3: 2015 The Overall theme this year was Literature, and we all did our own things.  I ended up doing children's stories.






Year 4: 2016 Color 
This year we decided that the quilts didn't have to be 12" x 12"







Year 5: 2017 Light







It was really great to be a part of this group.

It is really great to be moving on to other things.

2018 is going to be a sabbatical year of sorts for me.  I've finished up pretty much all of my committee obligations for various activities.  I am only going to participate in one quilting thing next year. (Gridsters, yay!).  With the 5 kids being very involved in many activities and none old enough to drive yet, I am main taxi driver.  I also have things "around the house" I want to get done.  (I shampooed carpets last week.  That makes me happier than you will ever know)

And selfish sewing.  Things that I WANT to do, not the things I feel like I HAVE to do. 

Thanks for reading this blog of mine.  I'm hoping to be a little more regular with it.  I also really need to do some maintenance on it!



Tuesday, October 31, 2017

Four-In-Art: Q4: Light: Illumination



Today is the last reveal for Four-In-Art.  Last in all the ways.  Last in the year and last in the five year adventure that I've been pleased and lucky to have been a part of.

I plan on some retrospective posts on the previous years and quilts, but today is all about

Illumination

My mind immediately went in two directions when I saw the challenge for this quarter.  The first was the way the sky was illuminated just after sunset, almost like a reverse rainbow.  And I could have done that and probably been pretty happy with it.  But what I really wanted to do was make an illuminated letter.  Medieval style.


Enter the William Morris R

I searched online for an illuminated R that I liked that was copy right free.  I came across the image below.
It is one in a series of letters that William Morris of England designed in the 1800s.  You should read about him.  He apparently started the Arts and Crafts movement in England.  He was also very interested in illuminated medieval style lettering and printing.

The quilt itself is reverse applique, and to describe all the time and the technique I will devote a maker post to this quilt in the next couple of days.

The gold is a lame, the rest are quilting cottons.  The black is a batik.  The whole thing is quilted with Superior's invisible poly on top and black Aurifil on the bottom.


 Just a fun birdhouse print on the back.  Great for hiding stitches.....  A label is coming, I promise.  The batting is actually a fusible fleece.  I'll go into detail in my maker post.

Finished size: 14"x 15"

Please visit everyone else in this delightful group:



Blog Address
https://www.flickr.com/photos/toot2
http://www.knottedcotton.com
http://www.opquilt.com
http://www.rainbowhare.com
http://www.patchworkbreeze.blogspot.com
http://www.rachel-thelifeofriley.blogspot.com
http://quiltalicious.blogspot.com


Friday, November 4, 2016

Efficiency - A Look Behind the Scene

 This quarter's theme had been my suggestion "I've got the blues".  I love blue in all its variations and had the theme as soon as I knew I had to suggest one.  I had originally though of something with music and raindrops - but after two visits to St. Louis and this floor, I knew what I wanted to do.



First I hit up the LQS for some watery background fabric.  While I have a lot of blues in the stash, no one big piece for something like this.
It was wavy vs. bubbly.  I went with wavy.
About two years a go a friend who was moving, gave me two paper grocery sacks of upholstery samples.  I pulled all the blues, fused wonder under to the backs and started cutting fish - free hand.
 And starting laying them out.  I did know that I wanted darker on the edges and lighter in the middle.
 In this picture you can see a couple things.  First, I moved everything on top of towels on the table, so I could iron on the table.  Second, I pushed the fish closer together.  This was when I decided that I wanted to add in more tiles for the edges around the fish.  I was originally thinking just the fish, but it wasn't quite the effect I was looking for.
 How I made the tile pieces.  I fused scraps of dark blues - something like 7-8 different fabrics of varying amounts - basically what I had laying around and guessing how much I might need in total.  Then I stacked them up and cut straight lines with the rotary cutter, moving the pieces around so they were not all the same shape and size. 
 If you ever decide to do something like this, make sure you peel the paper backing off first, before you do the slicing.  Ultimately less papers to pull off.

 Then I started laying down tile pieces, trying to make them fit the best I could.  Occasionally I would trim or cut to fit.  I can't imagine doing this for real tiles!
 Because of the varying fabric make-ups of the fish, I used a piece of parchment paper for pressing so I didn't wreck any of the fabrics.  Make sure to press as you go - a certain child walked by and knocked a bunch of tiles to the ground, not cool.  I was much more diligent after that about getting them at least tacked down in small groups.
 An in progress shot of my table.  After looking at this picture, I made the spaces between the tiles smaller.  I also filled in some open areas between the fish, as well.
 This shot is everything in place, ready for the next step;
 Choosing an overlay.  I didn't bring my quilt to the store, so it probably cost me more than necessary, but I bought four nettings to try out.
 I ended up using the upper left blue in this picture.  The navy was ok, but the I liked how the blue brightened it all up.  The light blue was too light and the pretty turquoise turned out to not be see through enough.
 As I mentioned in the reveal post, even Mr. Riley commented on how blue it turned with the net.
I did spray baste the backing, batting and top and then pinned the net over it all.  I don't ever use spray baste on its own.  I don't trust it. 

The binding is black - I did that to set off the blues of the quilt.

Two things I learned working on this quilt for you to keep in mind.
1. Make sure that everything is very solidly fused down before you start the quilting.  I had pieces trying to come off and move around after I started pushing the thing through the machine for quilting.
2. Quilting on the diagonal will distort your quilt.  It will.  Be prepared.  For this quilt, it wasn't a big deal, I just trimmed it back to square, but if it was a pieced quilt that needed to stay square, it would be something to keep in mind.












Tuesday, November 1, 2016

Four-in-Art: Colour: I've Got the Blues: Efficiency

It's reveal day for the latest round of Four-in-Art quilts.  I've been waiting for this day for a while, I had the privilege of coming up with this quarter's theme of I've Got the Blues.



And so, may I present, efficiency.
  E-Fish-in-Sea.  Get it?  I know, I'm sorry.  I was working on it and trying to come up with a good name and the boys were in the next room talking about efficiency in one of their games.  I thought it was funny.

Anyway. This quilt is the culmination of different things I've wanted to try and is directly inspired from the following picture taken at the City Museum in St. Louis.  You can read about our trip *here*

I really wanted to recreate this floor.

 So I did.  The light blue is one piece of blue fabric onto which I fused all the fish and tile pieces.
 I then overlaid the whole thing with a blue netting and quilted it.
 I knew I'd chosen the right color net when Mr. Riley walked by and asked me how I had turned my quilt blue.
 The fish were all cut from upholstery fabric samples that a friend gave me before she moved. 
 Different colors of blues and different textures as well.
 I think really the quilt could hang either way.  As you can see I've rather grown from the original 12"x12" quilts we started with.  This one finishes at 41" x 34"
 A shot of the back. I used up an ooooooooollllllld piece of blue star fabric from my mom's stash.  I think it went to a good use.

I'm not alone in these artsy endeavors, so please go visit my partners in art.


Betty Ayershttps://www.flickr.com/photos/toot2
Camilla Cathrohttp://faffling.blogspot.co.nz/2016/11/four-in-art-rising-above-blues.html
Catherine Chisholmhttp://www.knottedcotton.com/2016/11/four-in-art-colour-ive-got-blues_56.html
Elizabeth Eastmondhttps://occasionalpiece.wordpress.com/2016/11/01/six-ways-to-blue-a-four-in-art-quilt-for-november-2016
Janine Greenhttp://www.rainbowhare.com
Nancy Myershttp://www.patchworkbreeze.blogspot.com
Rachel Rileyhttp://www.rachel-thelifeofriley.blogspot.com
Simone Bradfordhttp://quiltalicious.blogspot.com
Susan Snookshttp://patchworknplay.blogspot.com

Our group blog is http://fourinart.blogspot.com/
Tomorrow I'll come back and talk a little more technically how I put it all together, and some advice on dos and don'ts if you want to try a mosaic quilt yourself.